About two-thirds of the members of the King of Prussia
One of the issues that received extensive coverage in this paper was using instrumental music as a test of fellowship. It would appear from the survey that the arguments in favor of using the instrument as a test of fellowship are not working. Among the church members surveyed only 18% said that it was an issue of fellowship. Dividing the movement over this issue may still get headlines in fellowship publications like the Harding Graduate Bulletin of January 1998, but the message is falling on deaf ears. As a people of the Spirit, we are shaped not by theories we carry in our minds but by the stirring of God’s Spirit in our hearts. Our hearts tell us that this is not a faith issue.
The admonition to sing a new song to the Lord has motivated both songwriter and instrument builder. God’s interest in new songs keeps music culturally dynamic, ever adapting and inspiring our creativity. The four-part harmony, for example, that we enjoy today was a 12th century addition. It is interesting to note how the vitality of music can be strongly correlated to a strong and active church. A musically dead church will also be spiritually dead. Conversely, a musically alive church will be spiritually alive. Gospel music has a purpose. It is an expressive voice proclaiming God’s word, a healing voice reconciling the sinner to the Savior, a community builder and a teacher that reminds us of God love.[1] We pray you have found our research beneficial.
[1] Corbitt, J. Nathan, The Sound of the Harvest...and the Beat of the Street: Music in the Kingdom, (Grand Rapids: Baker Books, 1998). (Page numbers are not available because this was taken from a pre-publication copy.) The book by Professor Corbitt of
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